Opus Magnum. The work of NATALIA LL

Opus Magnum. The work of NATALIA LL

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The Ernst Museum in Budapest exhibits ‘Opus Magnum’ by the Polish artistNATALIA LL. With this retrospective exhibition they pay tribute to the conceptual artist who for 40 years had worked in political feminist art, producing important works in the shape of paintings, drawings, performances, photographs, videos and installations.

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NATALIA LL is one of the most famous Polish avant-garde artists. Her experimental art work together with the theory thrown onto various texts has brought her to be a pioneer in various art fields, even making works altering her own body.

Lach Lachowicz, the real name of NATALIA LL, was born in Zywiec, Poland, in 1937. She studied in the Fine Arts School of Wroclaw between 1957 and 1963. In the early 70s she was part of the art collective Permafo, together with artists such as Zbigniew Diuback, Antoni Dzieduszycki and Lachowicz Andrzej, with whom she created an avant-garde contemporary art gallery.

In the 70s, amid the rise of feminist political ideas, she joined the feminist international movement, quickly becoming an outstanding representative, making exhibitions on feminist art in Poland, introducing thought on the role of women in society and its representations through performances.

In the late 60s, influenced by the literature of the Marquis de Sade and Georges Bataille, she worked on the investigation of erotic photography and made three works based on it, ‘Intimate Sphere’, ‘Velvet Terror’ and ‘Intimate Photography’. With these works she defied the dominant moral rigidness.

In the early 70s she questioned the role of image in society and developed a series of photographic works under the title ‘Consumer’s Art’. Through them she explored the meaning that consumer changes have and submerged herself in a series of post art on the photographic representations of the images that are impossible in photography. Many works came out of this investigation, among them ‘Artificial Cycle’.

In the late 70s she discovered the potential that video had, despite it being an expensive technique that was difficult to handle for a non-professional, and she made the works ‘Register Time’ and ‘Memories’.

The 80s were difficult in Poland. The Trade Unions came up strongly in the country and they managed to stop production in most of the country, which meant the implementation of the martial law and, with it, the ethical revaluation in society. This brought NATALIA LL to move her investigation to philosophical and religious subjects. In this period she began a work process with her own body, deconstructing her figure in the work ‘Fear of panic’ among others.

In the 90s, after the fall of socialism and the opening of the discussion of the ‘origin of evil’, she made interesting works such as ‘Sphere of Panic’ and various other notable works.

For more information: http://www.mucsarnok.hu/

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